After
writing the “in-cut” post I felt exhausted.
That may explain why I have taken so long to get to this next one. Recently I was talking with Carol Li. Carol, a fantastic thrower, was expressing a
frustration around how little her vision of throwing can gets translated. To some throwers it is a binary function, the
act of completing the pass earns a 1 and an incompletion earns a 0. Carol goes several steps beyond this; she
judges her 1’s and 0’s by their shape, speed, float, and accuracy. Did it curve the way she wanted it to? Travel at the speed she wanted? Get to the side of her receiver she wanted it
to be on? It is incredibly hard to
transfer this from thoughts to words.
The desire to be able to do it perfectly is what has held me back over
the past month. However as my doctor
told me when I was a wee lad, “nature is never a perfect line, well fractures
are perfect lines but those are no good.”
My
first and most common frustration is the timing of when the disc gets
thrown. The thing about frisbee’s is
that they float. Case 1 is an example of
when I want the Frisbee thrown. The blue
dot has gotten a small step here and given the red star throws a soft pass into
the pale green oval then the blue dot can just box out his guy the whole way
and do the necessary work. Case 2 is an
example of how I lose my sanity. The red
star is scared of holding the Frisbee so he holds the disc forever. He waits all the way until this moment to
release the disc and whips it at the pale green oval, this makes the catch
tighter and it gives orange an angle to undercut this pass.
In
the fall of 2009, I saw Austin get open upline on Kennedy. I saw that Austin was open at a stage earlier
than case 1 above. I knew the whole time
that I was going to throw it to Austin. I
waited, for no real reason, until a stage after case 2 to throw the disc,
Kennedy laid it out easily. After the
point Austin told me that once he gets steps to just throw it out in front of
him and let him run onto it. I think
this is a critical piece to completing an upline, you have to be able to sit a
pass 7-12 yards in front of you so that your teammate can run onto it.
The
next piece I want to talk about is where people try to complete the
uplines. I have drawn a black line. The black line is not perfectly oriented N/S,
it is angled a little bit NW/SE. I think
there is this fixation with trying to complete the upline on the line. There is nothing forcing you as a thrower to
do this. When your teammate is open you
should just get it to them at a convenient spot, there is no need to try to
complete every upline to the same spot. If
I can complete the upline left of this line, then I have created power position
and inched my team away from the trapside.
The Toph really likes to try to complete his uplines to the right of
this line, he thinks it’s funny to further exacerbate the issue by putting an
invert shape on the disc so that it tails away from the receiver. I personally find this exhausting and would
much rather put a roll curve to the left of the line.
The
last piece I want to try and convey is that receivers can change
direction. In this drawing the defender
is close the whole way and goes for the undercut. When he goes for this undercut the receiver
effectively has boxed the defender out of everything up the page. If our thrower just puts the disc downfield
and lets the receiver turn and run it down he can make the receiver pay
massively for gambling on trying to undercut.
In
general I think the ideas from completing an incut can apply to the ideas of
completing an upline. Throw it early,
throw it soft, give it roll curve.
Here’s
Christina Sur throwing to Sara Miller. I
think if Christina was a weaker/scared/rock of a thrower she would be tempted
to gun it into Miller at the red dot, fortunately Christina puts a soft one to
the green and the defender has no chance.
This
one bothers me because Carol is open here; her left hip bone is in front of the
defender’s right hip bone. In this
moment if Dobby (I think it’s Dobby) had some short range touch pass she could
have hit Carol. I put the green dot in
as a rough estimate; this green dot is very far to the left of the black line I
drew above. Dobby’s mark has shifter no
around which definitely gives her the angle to lay this off.
I
fully understand that what I describe above is a very difficult throw. This is what ended up happening. Carol increased her advantage, and Dobby set
up and released an around throw off the sideline. I am ecstatic that she got this around off.
Here’s
how they eventually score. At this
moment Carol is open, Christina just has to get it there. As a receiver it's important to note that in this example Carol gets her girl's back rather than the getting her front like she did in the previous example. Getting the defender's back gives Sur a lot more space to work with and entices her to take a chance on the throw.
This
is the moment of release. She throws
this disc incredibly early and she is using a high release pass which will give
her the float this disc needs for Carol to make the play. Carol’s defender is close, but since
Christina throws it early and soft Carol just boxes the defender out and scores
ezpz.
This
is not an upline but it’s a good throw by Carol and I want to talk about
it. Carol could fixate on Abby and try
to hit her in the hands on the red dot, or she could float one for the green
dot and get some buckets. Buckets.
Here’s
the last one I will do. Emilie is open
already and I’m pretty sure Risa sees her in this frame.
Ignoring
the fact that Emilie is open by a mile and only a rock could miss this throw,
there is still something to learn here.
If Risa tries to put it on Emilie’s hands in the red dot area this
becomes a tough pass, but by floating it in the green dot she makes this an
easy conversion and a goal.
http://gfycat.com/BasicHarshAlligatorsnappingturtle
ReplyDelete